Diferencia en la serie de strat 78 a 79

Aquí les pongo dos modelos de Strat uno es del ano 1978 y el otro de 1979, los pongo porque como a mi me ha pasado no e podido encontrar exactamente el modelo de mi guitarra aunque es serie "S", el problema es que la serializacion "S" comprende desde 1978 hasta 1980, pero aquí salen dos guitarras, la 78 con serie 896738 y la 1979 con serie 916432. La mía esta un poco mas arriba que esta ultima serie, así que esta en el rango comprendido para 1979 y si es alreves entonces es 1978. Ojal'a les ayude un poco como lo hizo conmigo.

1978

1979

fender Strat 1954

Esta es una Fender Stratocaster de 1954, valorada nada mas ni nada menos que en 100.000 dolares!!!!

Esta es mi Gibson Les Paul DELUXE

Esta Gibson Les Paul Deluxe que es del año 1979 es mi guitarra preferida aunque recientemente adquirí una Fender Strat del año 1978, ambas son de lo mejor y aquí les presento una. Hay que notar que esta Les Paul esta completa, no le falta ni se le ha puesto ninguna pieza que no sea de ella, osea es totalmente original.

La cabeza o "pala"



Clavijero original





Guitarra completa



Aunque ella esta completa si se ven los
efectos del paso del tiempo

Una clavija sola

Clavija sola y sin la tapa de resguardo

Este es el numero de serie

"Number One” Stratocaster

Era la guitarra preferida de Stevie Ray Vaughan (SRV) e indiscutiblemente la que más usó durante toda su carrera. En realidad, se trataba de un cuerpo bastante baqueteado de una strat de 1963, al que se le había incorporado un mástil de diciembre de 1962, con el corte del diapasón de palorrosa “Veneer” y un radio algo más plano que el standard vintage de 7,25”, debido a las varias veces en qué fue retrasteado, por la zona superior dicho radio alcanzaba 9” ó 10”. Stevie siempre tuvo la convicción de que el cuerpo de la “Number One” era de 1959 debido a una nomenclatura que aparece en él: “LF-1959”. Ciertamente pensaba que eran las iniciales de Leo Fender y que la ensambló el mismo en el 59, (esa fecha aparece también en el dorso de sus pastillas), actualmente y tras una inspección en el año 2003 por varios luthiers de la Custom Shop de FMI se confirma que data del año 1963 y esas iniciales L F corresponderían muy probablemente a Luis Fuentes, trabajador de la compañía por aquél entonces.

Ésta guitarra “Number One” fue adquirida por SRV en el año 1973 en Ray’s Music Exchange, establecimiento musical ubicado en Austin, Texas. Le encantò su color “sunburst” y por su grueso mástil con el perfil en “D”, que se adaptaba como un guante a sus grandes manos.

Originalmente incorporaba una tapa o "golpeador"de color blanco al que Stevie sustituyó por uno negro al que le añadió las iniciales de SRV. También llevaba un puente de diestros que fue sustituido en 1977 por uno de zurdos, muy de moda por las influencias técnicas de Hendrix, guitarrista muy en boga en aquel tiempo. El hardware gold fue montado a finales de 1985 principio de 1986. En cuanto a las pastillas, siempre se ha comentado que Stevie encargó a Fender que las rebobinara, obteniendo así ese característico y personal grueso sonido ( en realidad ese poderoso tono en su mayor parte proviene de su afinación en Eb y el grueso calibre de sus cuerdas GHS Boomers, amén de su increíble técnica y el feeling que llenaba sus interpretaciones), pero posteriormente y tras el examen cuidadoso de técnicos de la compañía, se asegura que son unas pastillas normales con tan solo el agregado de un apantallamiento extra.

Con los servicios de Rene Martínez a mitad de los 80, cambia los trastes normales por unos Dunlop 6100 con los que obtiene mayor sustain y facilidad para el “bending”, añadiendo juegos de cuerdas extremadamente gruesos como es el caso de calibres que empiezan por .013 a .018. y con una acción de 5/64” en la prima y 7/64” en el bordón o sexta cuerda.

Fue retirada por SRV en 1989 como primera guitarra, después de una plena y castigada vida útil, no olvidemos que fue sometida por Stevie a toda clase de malabares y golpes en múltiples horas de escenario, tanto es así que finalmente en su cuerpo apenas quedaba rastro del “sunburst”. Una vez llegó casi a partirse en dos por la pala, aunque fue reparada magistralmente por Rene Martínez. Precisamente se puede ver una foto de esa pala accidentada en el CD “In The Beginning.” El mástil de la “Number One” fue reparado en bastantes ocasiones, tal era así que empezaba a dar problemas a la hora de tocar ya en él. En 1990 en una actuación en Holmdell, New Jersey, se le vino encima parte del equipo de amplificación de escenario y resultó nuevamente accidentado junto a otras guitarras, entonces René decidió pedir a Fender una copia del brazo ’62 y finalmente reemplazado.

La “Number One” actualmente está en posesión de Jimmie Vaughan, hermano de Stevie, cuando falleció éste, Rene volvió a montar el mástil original para entregarla a la familia Vaughan, aunque hay rumores en algunos círculos, en qué ésta guitarra fue depositada en la tumba junto a SRV, en el Laurel Land Cemetery de Dallas.

Números de Serie de las Gibson Hasta 1961

GIBSON SERIALIZATION
Identifying Gibson instruments by serial number is tricky at best and downright impossible in some cases.
The best methods of identifying them is by using a combination of the serial number, the factory order
number and any features that are particular to a specific time that changes may have occurred in instrument
design (i.e. logo design change, headstock volutes, etc). There have been 6 different serial number styles
used to date on Gibson instruments.
The first serialization started in 1902 and ran until 1947. The serial numbers started with number 100 and
go to 99999. All numbers are approximates. In most cases, only the upper end instruments were assigned
identification numbers.


YEAR LAST #
1903 1150
1904 1850
1905 2550
1906 3350
1907 4250
1908 5450
1909 6950
1910 8750
1911 10850
1912 13350
1913 16100
1914 20150
1915 25150
1916 32000
1917 39500
1918 47900
1919 53800
1920 62200
1921 69300
1922 71400
1923 74900
1924 80300
1925 82700

YEAR LAST #
1926 83600
1927 85400
1928 87300
1929 89750
1930 90200
1931 90450
1932 90700
1933 91400
1934 92300
1935 92800
1936 94100
1937 95200
1938 95750
1939 96050
1940 96600
1941 97400
1942 97700
1943 97850
1944 98250
1945 98650
1946 99300
1947 99999

White oval labels were used on instruments from 1902 to 1954, at which time the oval label was changed to
an orange color. On instruments with round soundholes, this label is visible directly below it. On f-hole
instruments, it is visible through the upper f-hole. The second type of serial numbers used started with an A
prefix and ran from 1947 to 1961. The first number is A 100.
YEAR LAST #
1947 A 1305
1948 A 2665
1949 A 4410
1950 A 6595
1951 A 9420
1952 A 12460
1953 A 17435
1954 A 18665
YEAR LAST #
1955 A 21910
1956 A 24755
1957 A 26820
1958 A 28880
1959 A 32285
1960 A 35645
1961 A 36150

Hasta 1969

When production of solid body guitars began, an entirely new serial number system was developed.
Though not used on the earliest instruments produced (those done in 1952), a few of these instruments have
3 digits stamped on the headstock top. Some time in 1953, instruments were ink stamped on the headstock
back with 5 or 6 digit numbers, the first indicating the year, the following numbers are production numbers

The production numbers run in a consecutive order and, aside from a few oddities in the change over years
(1961-1962), it is fairly accurate to use them when identifying solid body instruments produced between
1953 and 1961. Examples of this system:

4 2205 = 1954 614562 = 1956


In 1961 Gibson started a new serial number system that covered all instrument lines. It consisted of
numbers that are impressed into the wood. It is also generally known to be the most frustrating and hard to
understand system that Gibson has employed. The numbers were used between the years 1961-1969. There
are several instances where batches of numbers are switched in order, duplicated, not just once, but up to
four times, and seem to be randomly assigned, throughout the decade. In general though, the numbers are
approximately as follows:
YEAR APPROXIMATE
SERIAL RANGE
1961 100-42440
1962 42441-61180
1963 61450-64220
1964 64240-70500
1962 71180-96600
1963 96601-99999
1967 000001-008010
1967 010000-042900
1967 044000-044100
1967 050000-054400
1967 055000-063999
1967 064000-066010
1967 067000-070910
1967 090000-099999
1963, 1967 100000-106099
1963 106100-108900
1963, 1967 109000-109999
1963 110000-111549
1963, 1967 111550-115799
1963 115800-118299
1963, 1967 118300-120999
1963 121000-139999
1963, 1967 140000-140100
1963 140101-144304
1964 144305-144380
1963 144381-145000
1963 147009-149864
1964 149865-149891
1963 149892-152989
1964 152990-174222
1964, 1965 174223-176643
1964 176644-199999
1964 200000-250335
1965 250336-291000
1965 301755-302100
1965 302754-305983
1965, 1967 306000-306100
1965, 1967 307000-307985
1965, 1967 309848-310999
1965 311000-320149
1967 320150-320699


YEAR SERIAL RANGE
1965 320700-321100
1965 322000-326600
1965 328000-328500
1965 328700-329179
1965, 1967 329180-330199
1965, 1967, 1968 330200-332240
1965 332241-347090
1965 348000-348092
1966 348093-349100
1965 349121-368638
1966 368640-369890
1967 370000-370999
1966 380000-385309
1967 390000-390998
1965, 1966, 1967, 1968 400001-400999
1966 401000-407985
1966 408000-408690
1966 408800-409250
1966 420000-426090
1966 427000-429180
1966 430005-438530
1966 438800-438925
1965, 1966, 1968, 1969 500000-500999
1965 501010-501600
1968 501601-501702
1965, 1968 501703-502706
1968 503010-503110
1965, 1968 503405-520955
1968 520956-530056
1966, 1968, 1969 530061-530850
1968, 1969 530851-530993
1969 530994-539999
1966, 1969 540000-540795
1969 540796-545009
1966 550000-556910
1969 558012-567400
1966 570099-570755
1969 580000-580999
1966, 1967, 1968, 1969 600000-600999
1969 601000-601090
1969 605901-606090

YEAR APPROXIMATE
SERIAL RANGE
1966, 1967 700000-700799
1968, 1969 750000-750999
1966, 1967, 1968, 1969 800000-800999
1966, 1969 801000-812838
1969 812900-814999
1969 8117000-819999
1966, 1969 820000-820087
1966 820088-823830
1969 824000-824999
1966, 1969 828002-847488
1966 847499-858999
1967 859001-880089
YEAR APPROXIMATE
SERIAL RANGE
1967 893401-895038
1968 895039-896999
1967 897000-898999
1968 899000-899999
1968 900000-902250
1968 903000-920899
1968 940000-941009
1968 942001-943000
1968 945000-945450
1968 947415-956000
1968 959000-960909
1968 970000-972864

From 1970-1975 the method of serializing instruments at Gibson became even more random. All numbers
were impressed into the wood and a six digit number assigned, though no particular order was given and
some instruments had a letter prefix. The orange labels inside hollow bodied instruments was discontinued
in 1970 and were replaced by white and orange rectangle labels on the acoustics, and small black, purple
and white rectangle labels were placed on electric models.

In 1970, the words "MADE IN USA" was impressed into the back of instrument headstocks (though a few
instruments from the 1950s also had MADE IN USA impressed into their headstocks as well).
Year(s) Approximate Series Manufacture
1970, 1971, and 1972 100000s, 600000s, 700000s, 900000s
1973 000001s, 100000s, 200000s, 800000s and a few “A” + 6 digit numbers
1974 and 1975 100000s, 200000s, 300000s, 400000s,500000s, 600000s, 800000s
and a few A-B-C-D-E-F + 6 digit numbers

During the period from 1975-1977 Gibson used a transfer that had eight digit numbers, the first two
indicate the year, 99=1975, 00=1976 and 06=1977, the following six digits are in the 100000 to 200000
range. MADE IN USA were also included on the transfer and some models had LIMITED EDITION also
applied. A few bolt on neck instruments had a date ink stamped on the heel area.

In 1977, Gibson first introduced the serialization method that is in practice today. This updated system
utilizes an impressed eight digit numbering scheme that covers both serializing and dating functions. The
pattern is as follows:

YDDDYPPP
YY is the production year
DDD is the day of the year
PPP is the plant designation and/or instrument rank.

The numbers 001-499 show Kalamazoo production, 500-999 show Nashville production. The Kalamazoo
numbers were discontinued in 1984.

When acoustic production began at the plant built in Bozeman, Montana (in 1989), the series' numbers
were reorganized. Bozeman instruments began using 001-299 designations and, in 1990, Nashville
instruments began using 300-999 designations. It should also be noted that the Nashville plant has not
reached the 900s since 1977, so these numbers have been reserved for prototypes. Examples:

70108276 means the instrument was produced on Jan.10, 1978, in Kalamazoo and was the 276th
instrument stamped that day.

82765501 means the instrument was produced on Oct. 3, 1985, in Nashville and was the 1st instrument stamped that day.

However, it has come to light recently that the Kalamazoo plant did not directly switch over to the “new” 8 digit serialization method in 1977. When the Nashville Gibson plant was opened in 1974, it was decided
that the bulk of the production of products would be run in the South; the Kalamazoo plant would produce the higher end (fancier) models in the North. Of course, many of the older guitar builders and craftsmen were still in Kalamazoo; and if they weren't ready to change how they built guitars, then they may not have been ready to change how they numbered them! Certain guitar models built in the late 1970s can be used to demonstrate the old-style 6 digit serial numbers. It is estimated that Gibson's Kalamazoo plant continued to use the 6 digit serial numbers through 1978 and 1979. So double check the serial numbers on those 1970s L-5s, Super 400s, and Super 5 BJBs!

Gibson's F O N System
In addition to the above serial number information, Gibson also used Factory Order Numbers (F O N) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were normally built in batches of 40 instruments. Gibson's Factory Order Numbers were an internal coding that followed the group of instruments through the factory. Thus, the older Gibson guitars may have a serial number and a F O N. The F O N may indicate the year, batch number, and the ranking (order of production within the batch of 40).

This system is useful in helping to date and authenticate instruments. There are three separate groupings of numbers that have been identified and are used for their accuracy. The numbers are usually stamped or written on the instrument's back and seen through the lower F hole or round soundhole, or maybe impressed on the back of the headstock.

1908-1923 Approximate #s
YEAR F O N
1908 259
1909 309
1910 545, 927
1911 1260, 1295
1912 1408, 1593
1913 1811, 1902
1914 1936, 2152
1915 2209, 3207
1916 2667, 3508

YEAR F O N
1917 3246, 11010
1918 9839, 11159
1919 11146, 11212
1920 11329, 11367
1921 11375, 11527
1922 11565, 11729
1923 11973

F O Ns for the years 1935-1941 usually consisted of the batch number, a letter for the year and the instrument number. Examples are as follows:

722 A 23
465 D 58
863 E 02.
Code Letter and Year
A 1935
B 1936
C 1937
D 1938
E 1939
F 1940
G 1941

Code Letter F O Ns were discontinued after 1941, and any instruments made during or right after World War II do not bear an F O N codes. In 1949, a four digit F O N was used, but not in conjunction with any code letter indicating the year.

From 1952-1961, the F O N scheme followed the pattern of a letter, the batch number and an instrument ranking number (when the guitar was built in the run of 40). The F O N is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) which do not feature a paper label.
Higher grade models (such as the Super 400, L-5, J-200, etc.) feature both a serial number and a F O N. When both numbers are present on a higher grade model, remember that the F O N was assigned at the beginning of the production run, while the serial number was recorded later (before shipping). The serial number would properly indicate the actual date of the guitar. F O N examples run thus:

Y 2230 21
V 4867 8
R 6785 15

Code Letter and Year
Z 1952
Y 1953
X 1954
W 1955
V 1956
U 1957
T 1958
S 1959
R 1960
Q 1961

After 1961 the use of FONs was discontinued at Gibson.

There are still some variances that Gibson uses on some instruments produced today, but for the most part the above can be used for identifying instruments. For the most accurate identification you would need to contact the Gibson Guitar Corporation itself.